More of that outline-shape drawing stuff.
We were supposed to draw the outlines of the figure's shape and then draw in all/lots of the background lines/shapes connected to the main figure. The idea is to make a coherent composition with interesting shapes, patterns, diagonal lines, whatever. The teacher's 5 minute sample was gorgeous. My versions, umm, errr--I had trouble getting to the background before the models changed.
Meet our models Rebecca and Luke. Rebecca is the same model from the first day of class, the one whose portrait looks like a topographical map.
I ended up drawing everyone's backside all night. I'm going to get to class earlier next week so I can get a better chair.
All the drawings are 9B graphite on paper 18x23, with bits and strips of white tape covering up mistakes I didn't want to bother erasing.
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For drawing #2, I was determined to get to the background. You'll also notice that this time for the chair, I just drew the thing with as many interior lines as I needed, no more fussy tricks. Well, I started drawing Luke's head a little too big and so his figure ended up huge (and took more time). Once again, I ended up with a 5 minute background. I wish I had drawn more of the floor.
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The Ten-Minute Sketches
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this one I kind of like except for his right paw. I think this is the fastest drawing I've ever done in my life. It felt kind of like cartooning.
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another sketch with problems. [This is a "warts-and-all" drawing confessional.] I was doing crazy things at the end of class--miscounting the chair legs, messing up angles because I was looking at one thing and drawing another. I needed a Coke.
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